30 More Sarcastic Comics That You Might Need To See Twice To Understand By Gudim

If you’ve ever laughed at a comic and then, three seconds later, gone “Oh. OH,” congratulationsyou’re already spiritually related to Anton Gudim. His series “30 More Sarcastic Comics That You Might Need To See Twice To Understand” on Bored Panda is basically a visual IQ test for people who overthink everything and still miss the obvious punchline the first time around.

These deceptively simple illustrations have made the Russian artist an international favorite. His pastel panels pop up everywherefrom Bored Panda’s endless scroll of internet treasures to design blogs, art magazines, Pinterest boards, and social media feedsbecause they do something rare: they make you laugh and wince in recognition at the same time.

Who Is Gudim, And Why Are His Comics Everywhere?

Anton Gudim is a Moscow-based illustrator known for his minimalist, two- to four-panel comics that skewer modern life with visual puns and ironic twists. His work often appears in series on Bored Pandalike the many “sarcastic comics” and “Yes, But” collectionsas well as on platforms like DeMilked, 121Clicks, and design sites that admire his clever use of color and composition.

Instead of wordy dialogue, Gudim relies on quiet details: a glance, a sign, a smartphone screen, a tiny symbol on a T-shirt. The set-up looks familiar and harmlessyour commute, a selfie, a family day outuntil the final panel twists the scene into something uncomfortably honest or absurd.

That’s part of the appeal. Viewers get to feel like detectives, spotting clues and decoding contradictions, which is why many of his comics reward a second (or third) look.

Why These 30 Sarcastic Comics Hit So Hard

The specific Bored Panda collection “30 More Sarcastic Comics That You Might Need To See Twice To Understand” gathers panels that showcase Gudim’s signature mix of dark humor, social critique, and gentle self-roasting.

1. Everyday Habits, Brutally Exposed

One reason these comics resonate is that they’re built from tiny, universal habits: doom-scrolling in bed, filming everything instead of experiencing it, or obsessing over likes while ignoring real people in the room. Other collections of his work emphasize the same pointhe keeps returning to recurring themes of social media addiction, consumerism, and our talent for ignoring reality when it’s inconvenient.

Think of a panel where everyone at a concert is pointing their phone at the stage instead of watching the actual performance. In Gudim’s hands, that familiar scene becomes a sharp little mirror. It’s not just “haha, we use phones too much”it’s “we literally outsource our memories to tiny screens and then brag about it later.”

2. The “Yes, But” Logic Of Modern Life

Gudim is also famous for his “Yes, But” series, where each comic shows two panels: the first is the polished, socially acceptable version; the second is the messy, contradictory truth. We proudly say we want a “digital detox,” but we still bring the phone to the beach. We care about the environment, but order fast fashion every weekend.

Even though “30 More Sarcastic Comics…” isn’t branded as a strict “Yes, But” set, the same logic runs through it. Each twist feels like the artist whispering, “Yes, your intentions are noblebut your behavior tells a slightly different story.” You laugh, you cringe, and you quietly remember that one time you did the exact same thing.

3. Visual Riddles You Have To “Solve”

Many of the comics in this series operate like brain teasers. At first glance, the scene is confusing or mundane. Only when your eyes notice a tiny cluea label, an icon, a small change between panelsdoes the punchline snap into place. This approach has been praised in art and design coverage for the way it plays with perception and forces viewers to actively participate.

For example, a group of people may be doing something strange in one panel, and in the next, the camera pulls back to reveal a sign, a symbol, or a context that instantly changes the meaning. If you miss the detail, the comic seems flat; once you catch it, the joke lands hard.

Recurring Themes In Gudim’s Sarcastic Comics

These 30 comics cover a wide range of topics, but they circle back to a few recurring ideas that define Gudim’s style.

Technology And The “Upgraded” Human

Tech is one of Gudim’s favorite playgrounds. Across multiple collections and features, he takes aim at facial recognition, constant surveillance, influencer culture, and our obsession with documenting every second of our lives.

In one typical setup, a character might proudly walk through a high-tech scanner with a big smileonly for the machine to reject them based on some arbitrary data. Just like that, the comic captures the emotional whiplash of living in a world where algorithms quietly judge us behind glossy interfaces.

Other comics show people treating phones almost like body parts: using them as shields from awkwardness, as emotional crutches, or as literal filters between themselves and reality. The sarcasm is sharp, but the tone isn’t hateful; it’s more like a friend teasing you about how you “just checked that notification five seconds ago.”

Social Media Ego Trips

Gudim’s work often highlights how we curate our lives for likes. Articles and galleries that feature his comics frequently point out how he exaggerates everyday behavior just enough to make it hilarious but still painfully recognizable.

Maybe it’s the person who risks their safety to get the perfect selfie, or the character who treats online applause like oxygen while ignoring the person sitting next to them. The comics crack jokes about vanity, clout chasing, and the fragile attention economy, all without needing a single speech bubble.

Contradictions, Hypocrisy, And “Harmless” Double Standards

Another main ingredient in these 30 sarcastic comics is hypocrisy. Not the big, dramatic kindmore the everyday, “we all do this but pretend we don’t” kind. In interviews and write-ups, commentators have noted how Gudim loves to highlight these quiet contradictions: wanting sustainability but buying unnecessary gadgets, preaching about “living in the moment” while constantly recording it, or demanding authenticity while heavily editing our online image.

His comics don’t scream at the viewer. They just show two conflicting truths in one frame and leave you alone with the discomfortand the giggles.

The Art Style: Simple Lines, Heavy Punchlines

Visually, Gudim’s comics stand out for their clean, vector-like style and muted color palettes. Design and art sites often praise his pastel hues, tidy compositions, and economical use of space.

Yet within those restrained visuals, there’s a lot happening:

• Color as mood: Warm tones often wrap around ridiculous situations, creating a contrast between how cozy everything looks and how uncomfortable the truth is.
• Repetition across panels: The same scene is shown twice with a tiny modificationthe twistso your brain automatically plays “spot the difference.”
• Small props, big meaning: A signboard, a screen icon, a logo, or a tiny object (like earbuds transforming into a flower) flips the narrative without any text at all.

This minimalism is part of why his comics travel so well online. They’re easy to share, easy to translate, and instantly recognizable even when reposted on Pinterest, Instagram, Threads, or Twitter.

Why You Might Need To Look Twice

The title of the Bored Panda piece is not clickbait. These comics genuinely demand a second look. Sometimes, comments on social posts featuring Gudim’s work are full of people confessing that they “finally got it” after reading the replies.

There are a few reasons why they’re so rewatchable:

• Layered jokes: The first impression is just “funny picture.” The second is, “oh no, that’s me.”
• Cultural references: Some comics lean on familiar clicheslike vacation photos, gym culture, or classic mythsso if you recognize the reference, the joke hits deeper.
• Visual metaphors: He often turns abstract ideas (like burnout, budget stress, or emotional baggage) into physical objects interacting with the characters.

Once you know how his brain works, you start scanning every panel like a puzzle. Where’s the trick? What detail am I missing? That active engagement is a major reason why Gudim’s sarcastic comics keep circulating in art, humor, and design communities around the world.

How Gudim’s Work Fits Into Today’s Comic Culture

Modern webcomics thrive on speedshort, punchy, scrollable. Gudim fits that model but adds an extra beat of contemplation. While many comedy panels give you the joke immediately, his often invite you to pause, decode, and then share.

From tech sites fascinated by his use of perspective to art blogs that highlight his minimalist design, critics tend to agree that his work captures the contradictions of digital-age living in a fresh, accessible way.

That’s why series like “30 More Sarcastic Comics That You Might Need To See Twice To Understand” continue to pop up: they’re endlessly reusable. Whether people are talking about social media burnout, the weirdness of influencer culture, or our complicated relationship with technology, chances are there’s a Gudim panel that nails the feeling better than a thousand-word rant.

500 Extra Words: What It’s Like To Live With Gudim Comics In Your Head

Spend enough time with Gudim’s sarcastic comics, and they start following you into real life. Suddenly, your day is one long, four-panel strip and you can almost see his signature in the corner.

You’re in line at the supermarket, for example. Everyone is silently scrolling, the cashier is robotically scanning items, and the guy in front of you is buying eco-friendly cleaning products and a mountain of individually wrapped snacks. In your mind, you’re already imagining the comic: first panel, his “Save the Planet” tote; second panel, the overflowing pile of plastic packaging. Title: “Small Steps.” Punchline: “Backwards.”

Or think about your morning routine. You roll over in bed, determined to “start the day calmly” without touching your phone. Two minutes later, you’re deep into a comments section on a stranger’s post. In Gudim language, that’s a two-panel comic: Panel one shows a poster on the wall saying “Digital Detox”; panel two shows you glowing blue from the phone screen in a dark room, surrounded by plants and a Himalayan salt lamp. Caption? Not necessary. Your brain fills it in: “Balanced Lifestyle.”

These imagined comics are the best proof that his work sticks. Once you’ve seen enough of them, you begin filtering your own choices through that same sarcastic lens. Am I doing this because I want to, or because it would make a good photo? Do I actually believe this thing I’m posting about, or am I just repeating what everyone else says?

Another fun side effect: social interactions become tiny mental storyboards. Your coworker announces they’re “off social media for mental health,” but spends every lunch break ranting about what they saw on TikTok before deleting the app. That’s classic “Yes, But” material. First panel: “I deleted social media, I feel so free.” Second panel: the same person anxiously checking a friend’s phone: “What are people saying about me?” If you’ve ever quietly performed a “healthy habit” more for appearances than impact, you recognize yourself instantly.

Even positive experiences take on a Gudim-style twist. Picture a vacation photo where you’re finally in nature, far from screens… except someone is holding their phone just out of frame, watching the GPS or filming the scenery “for later.” You can almost see the comic split screen: the top labelled “ESCAPE FROM THE CITY,” the bottom showing a “low battery” icon threatening to ruin the vibe.

Yet for all the sarcasm, these comics don’t feel mean-spirited. If anything, they give us a shared language for gently calling ourselves out. You can send a Gudim panel to a friend instead of delivering a lecture: “Hey, this is you,” followed by cry-laughing emojis. It’s a way of admitting our contradictions without sinking into guilt or defensiveness.

And honestly, that’s why series like “30 More Sarcastic Comics That You Might Need To See Twice To Understand” are so satisfying. They don’t demand perfection. They simply remind us that we’re all walking paradoxeswanting authenticity but loving filters, craving connection but hiding behind screens, preaching balance while juggling a dozen open tabs.

When you finish scrolling through Gudim’s comics, you might not throw your phone away or instantly fix your worst habits. But you might pause before posting, look twice at a situation, and ask yourself the question his work quietly repeats: “What’s the joke really aboutand is the punchline on me?”

Conclusion

“30 More Sarcastic Comics That You Might Need To See Twice To Understand” isn’t just another online galleryit’s a snapshot of how we live, framed through an artist who understands that reality is both hilarious and slightly embarrassing. With clean visuals, layered metaphors, and that unmistakable “Yes, But” logic, Gudim turns everyday contradictions into tiny, unforgettable stories.

These comics invite us to slow down, look more closely, and maybe laugh at ourselves a bit more often. After all, if you’re going to be the punchline, you might as well enjoy the joke.

sapo: Anton Gudim’s sarcastic comics look simple at first glance, but a second look reveals just how sharply they roast modern life. This in-depth guide breaks down the themes, visual tricks, and hidden messages behind Bored Panda’s “30 More Sarcastic Comics That You Might Need To See Twice To Understand,” explaining why these pastel panels are so addictive, relatable, and painfully funnyand how they might just change the way you look at your own daily habits.