Table of Contents >> Show >> Hide
- Meet the World of “Almost 100 Ghosts”
- Why Afterlife Humor Works So Well
- What the “23 New Pics” Feel Like (Without Spoiling the Fun)
- Behind the Scenes: How Pavel Builds This Ghostly Comedy
- Specific Examples of the Comic’s Comedy Style
- Could These Ghosts Jump Off the Page Into Other Media?
- Why Readers Keep Coming Back to Afterlife Comics
- Conclusion
- Reader Experiences Related to Afterlife Comics (Extra )
If the afterlife is real, I have exactly two requests: (1) someone better be running decent Wi-Fi, and (2) please let it be less “eternal doom” and more
“awkward roommates in a haunted house figuring out who gets the good creaky floorboard.” That second vibe is the sweet spot of Almost 100 Ghosts,
a charming comic series by an artist named Pavel, where friendly spirits treat the afterlife like a quirky neighborhoodequal parts spooky, silly, and oddly
relatable.
In Bored Panda’s latest roundup of 23 new comics, Pavel’s sheet-cute ghosts keep doing what the living do best: overthinking, bantering,
and turning minor inconveniences into full-panel drama. The result is surprisingly wholesome. You come for the punchlines and stay because, somehow, these
ghosts make “forever” feel like a cozy sitcom with cobweb décor.
Meet the World of “Almost 100 Ghosts”
The premise is delightfully simple: a bunch of ghosts share an abandoned house and pass the (after)time talking about… everything. The series leans into
everyday humortiny misunderstandings, petty rivalries, strange rules, and the kind of conversations that happen when you’re stuck with the same people for
a long time. The twist? Everyone is dead, and no one is being particularly dramatic about it.
Simple art, strong jokes
Pavel has openly described keeping the visuals minimal on purposebecause drawing is time-consuming, and he’d rather invest energy in the ideas and the
punchlines. That choice pays off. In comedy, clarity is king: clean expressions, readable staging, and a setup you understand instantly so the joke can land
without needing a map, a glossary, or a paranormal investigator.
The ghosts themselves are adorable in a “how are you this cute while haunting?” way. Their design is uncomplicated, but their personalities aren’t.
A simple character can still carry a complicated emotionespecially when the writing gives them human habits like insecurity, curiosity, pride, and that
ancient spiritual tradition known as low-stakes roasting.
Why Afterlife Humor Works So Well
Let’s be real: the afterlife is one of humanity’s biggest question marks. People imagine heaven, reincarnation, nothingness, a cosmic waiting room with a
broken vending machinepick your flavor. Because death is heavy, humor becomes a surprisingly natural tool. It makes the scary feel discussable. It gives
the mind a handle to hold onto.
Laughter is a pressure valve
A lot of reputable health and psychology sources describe laughter as a stress relieverhelping people feel more relaxed, easing tension, and supporting
social connection. This matters because afterlife comedy isn’t only “haha.” It’s also “exhale.” When a comic gently pokes at mortality, it can create a
safe emotional distance: you’re thinking about death, but you’re not drowning in it.
Cute characters make big ideas feel approachable
The genius of Pavel’s ghosts is that they’re not terrifying. They’re basically tiny roommates with floaty problems. This softens the topic without
disrespecting it. Instead of making death a shock moment, the series makes it a settingand then focuses on the human stuff: boredom, friendship, awkward
rules, and the endless search for something to do on a Tuesday.
What the “23 New Pics” Feel Like (Without Spoiling the Fun)
The Bored Panda collection plays like a highlight reel of the series’ strengths. These comics tend to revolve around familiar comedy engines:
misunderstandings, wordplay, ironic logic, and the contrast between spooky expectations and mundane reality.
1) The afterlife, but with office-problem energy
One of the funniest recurring vibes is how “eternal existence” gets treated like a job with unclear policies. The ghosts debate rules that don’t exist,
interpret supernatural “systems” with total confidence, and generally behave like people who would absolutely start a committee for haunting etiquette.
2) Ghost logic: technically correct, emotionally chaotic
The humor often comes from logic that’s internally consistent but hilariously unhelpful. Like when someone draws a conclusion that makes perfect sense for a
ghostand is completely ridiculous for anyone with a pulse. It’s that classic comedy trick: the characters are sincere, so you can laugh without feeling
like the comic is forcing it.
3) Sweetness sneaks in when you least expect it
The series doesn’t live in pure snark. There’s warmth. The ghosts tease each other, but they also show up for each other. Some strips feel like tiny
reminders that companionship doesn’t stop being valuable just because the setting has more fog.
Behind the Scenes: How Pavel Builds This Ghostly Comedy
According to Bored Panda’s interview notes, Pavel’s inspiration can strike in everyday placeswatching movies, talking with friends, noticing a funny idea,
and jotting it down quickly before it disappears. That’s the real secret of “effortless” comedy: it often comes from paying attention to small things.
A lifelong comics fan who found his lane
Pavel has shared that he loved comics as a kid and even tried making them with classmates. Later, he wanted to be a writer, didn’t quite land it the way he
hoped, and eventually returned to drawingwhere writing and art could live in the same room. That origin story makes sense when you read the strips:
they’re writerly. The art is simple, but the timing is deliberate.
Why “Almost 100 Ghosts” is a clever title
Fans keep asking the obvious question: why “almost” 100? Pavel has hinted that the mystery is intentional and that the series will eventually reveal what
“almost” meansplus additional secrets about the haunted house itself. In other words, the comics aren’t just random gags; there’s a longer thread waiting
behind the door marked “Do Not Open (Unless You’re Dead).”
Specific Examples of the Comic’s Comedy Style
Because the Bored Panda post is image-based, it’s best to describe the kind of jokes you’ll run into rather than reprint them. Here are a few
representative comedy patterns that show up in these “funny side of the afterlife” strips:
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The expectation flip: You anticipate a scary haunting moment, but the characters treat it like a minor inconvenience (or a hobby they’re
bad at). - The rules argument: Two ghosts debate an afterlife “rule” with the seriousness of people arguing about a parking sign.
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The mundane supernatural: Death-adjacent characters (or spooky settings) get applied to everyday problemsplans, preferences, boredom,
awkward conversations. - The gentle emotional twist: A strip begins with a silly premise and ends with a soft, unexpectedly sweet beat.
This mix is why the series feels so bingeable. It doesn’t rely on shock humor or gloom. It relies on personality, timing, and the universal truth that even
in the afterlife, someone will still find a way to be slightly dramatic about nothing.
Could These Ghosts Jump Off the Page Into Other Media?
Pavel himself has said he can easily imagine Almost 100 Ghosts as an animated comedy show, and that makes perfect sense. The cast structure
(multiple recurring ghosts), the setting (one main location), and the punchy dialogue are all animation-friendly. He’s also mentioned an idea for a board
game with the charactersbecause if you’re going to be haunted, you might as well have a score track.
Even the musical tone has been considered: Pavel has suggested a “fun but spooky” theme song vibe, in the spirit of classic supernatural comedies. It’s a
smart creative instinct. The series already feels like a show you half-remember from late-night TVsomething you’d watch “just for one episode” and then
suddenly it’s 2 a.m. and you’re emotionally invested in a ghost who can’t figure out what to do with eternity.
Why Readers Keep Coming Back to Afterlife Comics
Not every comic needs to solve life’s big questions. But the best ones make the big questions feel less lonely. That’s what this series does: it turns the
afterlife into a social space. It makes the unknown feel like a room full of chitchat, where fear gets replaced by curiosity and a little giggling.
And yes, it’s funnybut it’s also comforting. In a world where stress is everywhere and headlines can feel heavy, a soft comic about friendly ghosts can be a
tiny act of emotional self-care: a brief, safe place where mortality is acknowledged and then immediately turned into a joke about haunted-house roommate
problems.
Conclusion
“This Artist Makes Adorable Comics Showing The Funny Side Of The Afterlife (23 New Pics)” is exactly what the title promises: a fresh batch of charming,
laugh-out-loud ghost comics that treat the afterlife like a quirky shared apartmentcomplete with misunderstandings, inside jokes, and the occasional sweet
moment that sneaks up on you.
Pavel’s Almost 100 Ghosts works because it respects the topic without being weighed down by it. The art stays simple, the writing stays sharp, and
the tone stays warm. You’ll leave with a grin, maybe a tiny existential thought, and a strong desire to renegotiate your future haunting schedule in writing.
Reader Experiences Related to Afterlife Comics (Extra )
The funny thing about afterlife comics is that they don’t just make people laughthey make people remember. Almost everyone has had a moment where
death felt close, even if it wasn’t dramatic: a funeral that arrived too soon, a hospital waiting room with fluorescent lighting that makes time feel weird,
a phone call that starts with “Are you sitting down?” Those moments can be hard to revisit directly. But humor gives you a side door.
A lot of readers describe this exact experience with gentle “death-adjacent” comedy: you’re scrolling for something light, you see a ghost making a joke
about an afterlife inconvenience, and suddenly you’re thinking about someone you misswithout being crushed by it. It’s not that the comic is pretending
death is trivial. It’s more like it’s saying, “Yes, this is real. And yes, you’re allowed to breathe while it’s real.”
There’s also the very modern experience of grieving in tiny, awkward fragments. You might be fine all day and then lose it because you found an old voicemail
or saw their favorite snack at the store. Afterlife comics mirror that emotional unpredictability in a safe way. One panel is goofy. The next panel is
oddly tender. That swing can feel familiarlike real life, except with more floating sheets and fewer calendar invites.
Another common experience is how friends and families use humor as a kind of secret handshake during hard times. Someone will tell a ridiculous story about
the person who diedsomething they did that was so “them” it makes everyone laugh through tears. The laughter doesn’t erase the loss. It just proves the
relationship was big enough to contain more than sadness. Comics about the afterlife can tap into that same emotional logic: if we can imagine our loved ones
somewhere safe, maybe they’d still be cracking jokes.
And then there’s the everyday “existential comedy” experience: lying awake at night, staring at the ceiling, and thinking, “So… what happens after this?”
Your brain tries to answer, can’t, and then decides to replay something embarrassing you said in 2016 instead. Afterlife comics do a helpful little trick
herethey take the mystery and make it domestic. Instead of cosmic terror, it’s: “What if the afterlife had awkward roommates?” That framing is comforting
because it’s familiar. Humans can handle awkward roommates. We have group chats for that.
Finally, there’s the simple reader experience of relief. Life is stressful. People are tired. Sometimes you don’t want a deep think-pieceyou want a small
story with a clean punchline and a kind vibe. That’s exactly where adorable ghost comics shine: they offer a soft landing. You laugh, you exhale, and for a
minute, the big unknown feels less like a cliff and more like a hallway with a friendly light on.